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As early owners and users of multiple RED cameras we pride ourselves on our knowledge and experience with the RED One™- both on production and in post. We’ll help you set up a workflow most suited for your budget and distribution requirements, and assist you in all phases of production, from pre to post– including digital intermediate mastering, digital cinema encoding, authoring and media deliverables. So, if you are considering shooting on RED™, or any other digital camera, we offer efficient workflows for digital film, television and commercial production. |
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RED™ Data and Mastering Lab Let us assist you in all phases of RED Camera production, from delivering RED dailies to your desktop, to final mastering for HDTV and Digital Cinema.   
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CM-RED Desktop The most cost effective workflow for television, commercial, music video & feature film projects with limited budgets shot on RED. More > CM-RED iXo LAB We transcode your RED media files for you, back them to LTO-3A drives for postproduction, and archive them for safekeeping. More > |
CM-RED HD We’ll re-link (up-rez) your offline from your RED R3D files to create a 2K sequence, color grade and then create an HD master and deliverables. More > CM-RED 2K This is a cost-effective workflow for RED projects intended for 35mm theatrical and Digital Cinema distribution, including HD television broadcast and Blu-Ray. More > |
