| Whether you need a few dubs or delivering an entire feature film, we’ll provide you the expertise and resources to properly deliver all your media elements to meet your distributor's requirements. We’ll recommend the most optimal and cost effective mastering and media solutions to achieve the highest possible image quality and future proof and prepare your project for other distribution windows. |
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Broadcast, DVD and Blu-Ray Distribution (ProRes HQ Workflow) HDCam SR color timed master • Textless elements at tail (after credit roll) • 5.1 Dolby stems • Lt Rt Mix Down • M & E Tracks Digital Betacam SD master: • 4:3 Letterbox version • 16:9 Anamorphic (DVD) version • Lt, Rt and M&E Tracks 
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Broadcast, DVD, Blu-Ray and Budget Film Distribution (RGB 4:4:4: Workflow) 35MM Film Print (From HDCam SR) Digital Cinema Package HDCam SR color timed master • Textless elements at tail (after credit roll) • 5.1 Dolby stems • Lt Rt Mix Down • M & E Tracks Digital Betacam SD master: • 4:3 Letterbox version • 16:9 Anamorphic (DVD) version • Lt, Rt and M&E Tracks 
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Broadcast, DVD, Blu-Ray and Theatrical Film Distribution (2K Workflow) 35MM Film Print (From 2K DPX Image Files) Digital Cinema Package DPX or Cineon Image Sequence • 501 Dolby MO Disks • M & E Tracks • LTO3 / FireWire (Sequence Transport for Film Scanning) HDCam SR color timed master • Textless elements at tail (after credit roll) • 5.1 Dolby stems • Lt Rt Mix Down • M & E Tracks Digital Betacam SD master: • 4:3 Letterbox version • 16:9 Anamorphic (DVD) version • Lt, Rt and M&E Tracks 
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